-40%

Vintage Hand-Carved Wooden African The tribal Baoulé Yahoure Mask-2989

$ 50.16

Availability: 28 in stock
  • Time Period Manufactured: 1600-1900
  • Modified Item: No
  • Handmade: Yes
  • Culture: African
  • Condition: Baoulé Yahoure Mask
  • Country/Region of Manufacture: Congo
  • Provenance: Ownership History Available

    Description

    Baoulé Yahoure Mask-45.5/20.5 CM
    Store
    95 $
    170 $
    Baoulé Yahoure Mask-45.5/20.5 CM
    An entertainment masks that can be seen by women, this masks with black forfeatures and scarifications. The headdress is made up offour . Slight abrasions of the patina. These portrait masks of the Baoulé, ndoma , which are part of one of the oldest baoulé artistic traditions and frequently represent an idealized character, have the peculiarity of manifesting themselves at the end of the dance ceremonies of entertainment. The latter are named, depending on the regions, bedwo, ngblo, mblo, adjussu, etc. Each of these masks are distinguished by the hairstyles, the location and the choice of scarifications, etc. Also called Gbagba , they personify graceful young girls or men whose valour orintegrity qualities are reputed. The newgenerations are gradually replacing these dances Mblo called Gbagba in some villages,retaining most of the old conventions, with the dance Kpan Kpan , whose masks raise societal problems or make reference to political projects.
    SIZE OF THE MASK
    45.5/20.5 CM
    SHIPING
    FREE DHL EXSSPRES
    Condition
    SOLD WHITOT THE STAND
    Material
    An original patina covers the item
    4
    Location
    Purchase 3 items and receive one stand worth $ 40 as a gift
    Description
    Video
    An entertainment masks that can be seen by women, this masks with black forfeatures and scarifications. The headdress is made up offour . Slight abrasions of the patina. These portrait masks of the Baoulé, ndoma , which are part of one of the oldest baoulé artistic traditions and frequently represent an idealized character, have the peculiarity of manifesting themselves at the end of the dance ceremonies of entertainment. The latter are named, depending on the regions, bedwo, ngblo, mblo, adjussu, etc. Each of these masks are distinguished by the hairstyles, the location and the choice of scarifications, etc. Also called Gbagba , they personify graceful young girls or men whose valour orintegrity qualities are reputed. The newgenerations are gradually replacing these dances Mblo called Gbagba in some villages,retaining most of the old conventions, with the dance Kpan Kpan , whose masks raise societal problems or make reference to political projects.
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